Here be monsters. Puppet monsters, dancing monsters, monsters with and without bodies, pixelated monsters, monsters made of sound and with many different heads.

I like to play with social and personal anxieties around racial and gender fixity to call into question epistemologies of blackness and queer phenomenology.

I’m fascinated by the solo, the ensemble, and the improvisational, and how each variously articulates selfhood and memory. I am fascinated by the spectator, and I believe in the spectactor.

I am currently engaged in an exploration of the out-of-body experience and daydreams as vehicles for understanding the overlaps between queer time and African American ontology.

I am a work in progress.